Skip to main page content
U.S. flag

An official website of the United States government

Dot gov

The .gov means it’s official.
Federal government websites often end in .gov or .mil. Before sharing sensitive information, make sure you’re on a federal government site.

Https

The site is secure.
The https:// ensures that you are connecting to the official website and that any information you provide is encrypted and transmitted securely.

Access keys NCBI Homepage MyNCBI Homepage Main Content Main Navigation
. 2008 Jan 16;3(1):e1437.
doi: 10.1371/journal.pone.0001437.

Distortions of subjective time perception within and across senses

Affiliations

Distortions of subjective time perception within and across senses

Virginie van Wassenhove et al. PLoS One. .

Abstract

Background: The ability to estimate the passage of time is of fundamental importance for perceptual and cognitive processes. One experience of time is the perception of duration, which is not isomorphic to physical duration and can be distorted by a number of factors. Yet, the critical features generating these perceptual shifts in subjective duration are not understood.

Methodology/findings: We used prospective duration judgments within and across sensory modalities to examine the effect of stimulus predictability and feature change on the perception of duration. First, we found robust distortions of perceived duration in auditory, visual and auditory-visual presentations despite the predictability of the feature changes in the stimuli. For example, a looming disc embedded in a series of steady discs led to time dilation, whereas a steady disc embedded in a series of looming discs led to time compression. Second, we addressed whether visual (auditory) inputs could alter the perception of duration of auditory (visual) inputs. When participants were presented with incongruent audio-visual stimuli, the perceived duration of auditory events could be shortened or lengthened by the presence of conflicting visual information; however, the perceived duration of visual events was seldom distorted by the presence of auditory information and was never perceived shorter than their actual durations.

Conclusions/significance: These results support the existence of multisensory interactions in the perception of duration and, importantly, suggest that vision can modify auditory temporal perception in a pure timing task. Insofar as distortions in subjective duration can neither be accounted for by the unpredictability of an auditory, visual or auditory-visual event, we propose that it is the intrinsic features of the stimulus that critically affect subjective time distortions.

PubMed Disclaimer

Conflict of interest statement

Competing Interests: The authors have declared that no competing interests exist.

Figures

Figure 1
Figure 1. Experimental design.
All Experiments tested unimodal (auditory only, first column, or visual only, second column), multisensory (congruent auditory-visual, third column) and incongruent or intersensory auditory-visual conditions (auditory intersensory, fourth column and visual intersensory fifth column). In the control conditions, the target (4th stimulus in a stream of five stimuli) differed from the standards (stimulus 1, 2, 3 and 5; all 500 ms) in duration only. In the test conditions, the target differed from the standards in both feature and duration. In Experiment 1 (‘Loom’, first row) and Experiment 2 (‘Recede’, second row), the same control conditions were used, where standards were 500 ms discs or pure tones in visual and auditory displays, respectively. In the Loom tests, auditory standards were 500 ms pure tones, and auditory targets were upward going FM sweeps of varying duration; visual standards were 500 ms discs and visual targets were looming discs of different duration; auditory and visual conditions were combined in the multisensory condition. In the Recede tests, the target was a downward going FM sweep or a receding disc in the auditory and visual sensory modalities, respectively. In the control of Experiment 3 (‘Reverse’, third row), the auditory standards were upward FM sweeps and the visual standards were 500 ms looming discs. In the Reverse tests, the oddballs were a steady disc and a pure tone of variable duration in visual and auditory displays, respectively. The Loom, Recede and Reverse intersensory conditions consisted in presenting congruent auditory-visual standards but incongruent auditory-visual targets. An oddball was introduced in the sensory modality which was to be ignored. In the auditory intersensory conditions, participants evaluated the auditory target while neglecting visual inputs; conversely, in the visual intersensory conditions, participants evaluated the visual target while ignoring the auditory inputs. In the Loom auditory (first row, fourth column) and visual intersensory (first row, fifth column) conditions, the oddball was a looming disc and an upward FM sweep, respectively. In the Recede auditory (second row, fourth column) and visual intersensory (second row, fifth column) conditions, the oddball was a receding or a downward FM sweep, respectively. In the Reverse auditory (third row, fourth column) and visual intersensory (third row, fifth column) conditions, the oddball was a steady disc or a tone, respectively.
Figure 2
Figure 2. Subjective duration distortions in auditory, visual and congruent auditory-visual presentations.
The points of subjective equality (PSE) were computed from the individuals' psychometric curves obtained in the control and test conditions. On the left hand-side, we report the obtained PSE for each experiment and auditory (blue), visual (green) and auditory-visual (red) conditions. On the right-hand side, we report the difference between the PSE obtained in a given test condition (e.g. visual test) and the PSE obtained in the associated control condition (e.g. visual control). In the relative PSE graphs, a positive shift of PSE indicates ‘subjective time compression’, thereby a given stimulus in the test condition is perceived as shorter than would actually be perceived by the participant in the control condition; conversely, a negative shift in PSE indicates ‘subjective time dilation’. Error bars are standard-errors of the mean. In the Loom experiment (first row), subjective time expansion is systematically observed in auditory (blue bar), visual (green bar) and congruent auditory-visual (red bar) presentations. In the Recede experiment (second row), no significant shift of PSE was observed. In the Reverse experiment (third row), both visual (green) and congruent auditory-visual (red) presentations led to a significant compression of subjective duration. No such effect was observed in the auditory (blue bar) condition. These results highlight both similarities and asymmetries in the distortion of subjective durations across sensory modalities.
Figure 3
Figure 3. Subjective duration distortions in intersensory conditions (incongruent auditory-visual presentations).
The PSE for the auditory (blue) intersensory conditions and the visual (green) intersensory conditions and their relevant control conditions (gray) are reported in the left panel as ‘absolute PSE’. The PSE differences between the intersensory conditions and their possible controls are reported in the right panels as ‘Relative PSE’. The corrected t-tests values are reported in the adjacent table for auditory and visual intersensory conditions in all three Experiments. The PSE obtained in a given intersensory (e.g. auditory intersensory) condition could be compared with (i) the auditory control (Ac), (ii) the visual test (V), (iii) the auditory-visual test (AV) or (iii) the auditory-visual control (AVc). A positive shift of PSE indicates ‘subjective time compression’ and a negative shift in PSE indicates ‘subjective time expansion’. Error bars are standard-errors of the mean. In Loom (first row), subjective time expansion is observed in the auditory intersensory condition when compared to the unisensory presentations (Ac, blue and V, green) and the congruent AV test (red); in the visual intersensory condition, no effect was observed suggesting that vision captures auditory duration but not the opposite. In Recede (second row), no significant intersensory effects were observed in either auditory or visual intersensory conditions. In Reverse (third row), the visual oddball captures auditory duration towards compression (blue bar) whereas the auditory oddball captures visual duration towards expansion (green bar). The auditory intersensory condition significantly differed from Ac, AV and AVc; the visual intersensory condition significantly differed from Vc and AV. These results provide evidence that visual information influences auditory temporal perception, but that the converse is surprisingly seldom observed.
Figure 4
Figure 4. Forced-fusion model: comparison between predicted and observed PSE in congruent and incongruent auditory-visual presentations.
In each graph, the black bars indicate the “estimated”, and the red bar, the “observed” PSE. The adjacent table reports the results of paired t-tests between predicted and observed PSE. In the congruent AV presentations (left column) and for all three experiments, the predictions of the forced-fusion Bayesian model did not significantly differ from the observed PSE. In the incongruent conditions (right column), the model fails to predict the perceptual outcomes observed in the auditory intersensory conditions of the Loom and the Reverse experiments. Additional comparisons between predicted and observed variances in these conditions are provided as Supplementary Material in Figure S3.
Figure 5
Figure 5. Variance in uni- and multi-sensory observed data.
We report the variance for the tests (gray) and controls (black) of the auditory, visual and auditory-visual conditions in the Loom (top row), Recede (middle row) and Reverse (bottom row) experiments. No significant differences of variance were observed between tests and controls within each modality of presentation. Bars indicate standard-errors of the mean.
Figure 6
Figure 6. Variance in intersensory observed data.
Variance for the auditory intersensory (blue, left column) and visual intersensory (green, right column) conditions are reported along with their respective control conditions (gray) in each experiment. The tables indicate the significant variance effects between the test and possible control conditions. A significant increase of variance was observed in the auditory intersensory conditions with respect to variance in auditory control, visual test, multisensory control and test conditions in all Experiments to the exception of the visual test in the Reverse condition. A significant increase of variance was observed in the visual intersensory conditions of the Loom and Recede experiments with respect to the auditory, multisensory test and control. In all experiments, no difference was observed between the visual intersensory and the visual control conditions and all possible control conditions in the Reverse experiment. Bars indicate standard-errors of the mean.

Similar articles

Cited by

References

    1. Efron R. The minimum duration of a perception. Neuropsychologia. 1970;8:57–63. - PubMed
    1. Tse PU, Intriligator J, Rivest J, Cavanagh P. Attention and the subjective expansion of time. Perception and Psychophysics. 2004;66:1171–1189. - PubMed
    1. Hodinott-Hill I, Thilo KV, Conwey A, Walsh V. Auditory chronostasis: hanging on the telephone. Current Biology. 2002;12:1779–1781. - PubMed
    1. Yarrow K, Rothwell JC. Manual chronostasis: tactile perception precedes physical contact. Current Biology. 2003;13:1134–1139. - PubMed
    1. Yarrow K, Haggard K, Heal R, Brown P, Rothwell JC. Illusory perceptions of space and time preserve cross-saccadic perceptual continuity. Nature. 2001:302–305. - PubMed

Publication types