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Winner quotes "Miss Congeniality" at Student Academy Awards: "We are all winners, and we really do want world peace.” http://bit.ly/1pp72KG
Hey, @missjudygreer: @RealAdamRose has a script and he wants you for it. (And you wouldn't play the best friend.)
Trailer for 'America' at Arclight was greeted w/ widespread, derisive laughter. It'd be a tough sell in L.A. even if it didn't look crappy.
Time to listen to @rosannecash's version of Bob Dylan's Girl from the North Country to salute both 2 birthday folks at once. HB2U2.
Most daring (& little-seen) Palme d'Or winner since 'Uncle Boonmee Who Can Recall His Past Lives'? Yeah, I think so. http://bit.ly/1tyos9m
Dardenne bros' Two Days, One Night got easily the most sustained applause of any Cannes press screening I've been to.
There's a guy in a clerical collar holding a reporter's notebook at the first Cannes screening of the Dardenne bros. movie.
Cannes is classy and all, but I've sure seen a truckload of brutal killings, splattered blood and hints of incest in the last 6 days.
The Factory Kitchen is an Italian trattoria in The Arts District, Downtown Los Angeles. For press inquiries, contact @nikkineu
A Cannes yacht party -- the place for everyone who wants to judge movie moguls by their socks. pic.twitter.com/FuU2VpzNse
Gael Garcia Bernal shows up at the Participant Media 10th anniversary party fresh from a Cannes jury meeting. "Whew," he says. "Intense."
Who knew we needed Cronenberg doing The Player meets Carrie? Maps to the Stars is hellacious fun.
The new version of The Disappearance of Eleanor Rigby is wonderful. But I still wish everybody sees the original 2-film version instead.
Bertrand Bonello's Saint Laurent somehow crawls to a place of rapturous insanity in its 2 1/2 hours. And of course it's stylish as hell.
Atom Egoyan's ludicrous 'The Captive' joins the growing list of 2014 Cannes films that people hate. http://bit.ly/1n0qEao
If we're choosing between Canadian child-abduction movies, Prisoners is leagues better than The Captive. Good luck with this claptrap, A24.
Mr. Turner at Cannes: beautiful, richly observed biopic that has no interest in biopic tropes. Feels like random events adding up to a life.
Cannes: 1 day, 2 movies. One's big & shiny & silly, one's small & dark & disturbing. http://bit.ly/QK6ySp
I don't want to sit through another version of Grace of Monaco to track the differences, but I don't think Harvey's cut could be any worse.
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