Jump to content

The Man Standing Next

From Wikipedia, the free encyclopedia

The Man Standing Next
Theatrical release poster
Hangul
남산의 부장들
Hanja
南山의 部長들
Directed byWoo Min-ho
Screenplay by
  • Woo Min-ho
  • Lee Ji-min
Based onThe Man Standing Next
by Kim Choong-sik[1]
Produced byKim Won-guk
Starring
CinematographyGo Nak-seon
Edited byJeong Ji-eun
Music byJo Yeong-wook
Production
company
Hive Media Corp.
Distributed byShowbox
Release date
  • 22 January 2020 (2020-01-22)
Running time
114 minutes
CountrySouth Korea
LanguageKorean
Budget$18 million
Box office$34.7 million[2]

The Man Standing Next (Korean: 남산의 부장들; lit. Chiefs of Namsan) is a 2020 South Korean historical political thriller film directed by Woo Min-ho. Based on an original novel of the same title, the film stars Lee Byung-hun, Lee Sung-min, Kwak Do-won, and Lee Hee-joon as the high-ranking officials of the Korean government and the Korean Central Intelligence Agency (KCIA) during the presidency of Park Chung Hee 40 days before his assassination in 1979.[3]

The film premiered in South Korea on 22 January 2020, where it topped the box office until 4 February 2020.[4][5][6][7] It was released in the United States on 24 January 2020.[8] It was selected as the South Korean entry for the Best International Feature Film at the 93rd Academy Awards, but it was not nominated.[9][10][11][12]

Synopsis

[edit]

In the 1970s, South Korea is under the absolute control of President Park who controls the KCIA, the organization with an edge over any branch of government. The director of the KCIA, Kim Gyu-pyeong, is nearly the second-in-command, but faces rivalry from the president's security chief. Amid a reign of fear, a former KCIA director, Park Yong-gak, who knows all about the government's obscure and illegal operations, goes into exile, and testifies in front of the U.S. Congress, opening the floodgates to the investigation of Koreagate.[13] As tension escalates, stifling political maneuvers by those desiring power collide explosively.

Plot

[edit]

Park Yong-gak, a former KCIA director, testifies against South Korean President Park in a United States Senate Committee investigation.[13] With the threat of Park publishing his manuscript on the regime, President Park of South Korea sends Kim Gyu-pyeong, the current KCIA Director to stop Park Yong-gak from publishing his manuscript. Kim goes to Washington, where the two meet and Kim demands the manuscript from Park. Park Yong-gak hands it over but implies the president's corruption by suggesting that President Park is being financially backed by offshore Swiss accounts.

With his mission accomplished, Kim returns to South Korea and consequently, faces conflict with Kwak Sang-cheo, President Park's bodyguard. A wiretapping plot on the president is discovered and Kim becomes suspicious of a professor who is present at the search in the President's office. Through interrogation, Kim finds out that a KCIA agent has acted without orders from him. He sends an agent, Ham Dae-yong, to Paris to further investigate the situation.

In Paris, through means of wiretapping, Ham discovers that the KCIA agent was not acting on his own, but rather under orders from Kwak. Through this, it is discovered that Kwak has ordered the assassination of ex-Director Park, who will be visiting Paris. It is during this time that President Park gives Director Kim the freedom to do what he wishes with the ex-Director. Kim, not to be outdone by Kwak, resolves to have Park Yong-gak killed.

In Paris, two different teams both to assassinate ex-director Park prepare to kill him. Kwak's team seeks to lure Park into his room, while Kim's team seeks to kidnap him and then kill him. With the help of Park Yong-gak's aide, Deborah Shim, who is used as bait, Director Kim's team can nab ex-Director Park first, driving him out of Paris. However, Park can momentarily escape to a nearby town but is tracked down by Ham, who promptly kills him. He disposed of Park Yong-gak's body to ground up in a hammer mill which is a grinder at a chicken farm and turned into chicken feed.

Park is displeased with Kim's handling, however, noting that Kim didn't solve the problem of apparently stolen finances that were procured by Park Yong-gak. Kim's friendship with President Park deteriorates further as a result and Park begins distrusting Kim. Kim, who is deeply torn by the killing, as the ex-Director was his friend, begins to break down under stress.

Sometime after the killing of ex-director Park, President Park and his administration are faced with a new issue in the form of pro-democracy protests in Pusan and Masan, as well as fears that these protests could spread to Seoul. Kwak takes a hardline stance, advising harsh and swift military intervention, and declaration of martial law. Kim suggests a more levelhanded approach and urges Park to avoid declaring martial law. Park, favoring Kwak, proceeds with a declaration of martial law.

Following this, Kim is told that Park is holding a banquet but has not invited him, but rather Kwak. Kim goes anyway to eavesdrop on Park and Kwak and learns that Park is considering replacing Kim. Yet again, Park gives a subordinate clearance to do what they wish, the subordinate this time being Kwak.

On October 26, Park is doing a day of ribbon-cutting ceremonies for a dam in Sapgyo. Kim attempts to join him and Kwak at the helicopter, but Kwak bars him from joining. Riled, Kim calls his subordinates with the intent of planning something. That night, Park invites Kim to dinner. It's intended to be an apology of sorts, but Kim is unmoved.

During the dinner, Kim leaves to get a pistol, meets with his subordinates, and tells them that he will kill Park. Upon returning to the room, the conversation becomes heated. It culminates in Kim shooting and wounding Kwak in the arm. He then turns on Park and shoots him too.[13] As this happens, Kim's subordinates organize a coordinated attack on the compound where the dinner is being held and kill the remaining bodyguards. Kim attempts to finish Kwak, but the pistol jams and he is forced to leave the room to get another gun from an agent. At this time, the light goes off and then comes back on. He returns to the room, shooting and killing Kwak and killing Park with a shot to the head.

Kim quickly leaves with his subordinates and the notables present at the compound during the attack. He is given the choice between going to Namsan or the Army Headquarters. The Chief Presidential Secretary, bearing witness to the assassination, suggests that he go to the Army Headquarters. Kim considers this as the screen fades to black. After the screen goes black, a subtitle appears that Kim Gyu-pyeong was arrested at the Army Headquarters and hanged as the culprit in the President's assassination. The movie ends with a text saying that Kim chose to drive to the Army Headquarters, where he was caught. The voice of Chun Doo-hwan, the actual model of Chun Doo-hyuk, and the voice of Kim Jae-gyu, the actual model of Kim Gyu-pyeong, appear.

Cast

[edit]

Reception

[edit]

The film was released in Japan on 22 January 2021, under the name KCIA.[16]

The Man Standing Next holds an 80% approval rating on review aggregator website Rotten Tomatoes, based on 20 reviews, with an average of 7.5/10.[17]

Favorable response

[edit]

Cary Darling of The Houston Chronicle rated it 4/5, writing: "Stylistically, there are echoes of such notable ’70s American political thrillers as Parallax View and The Conversation. Even if you’re not sure what’s going on at any given moment, it is never less than compelling. As if it weren’t known already, “The Man Standing Next” is proof that there’s much more to South Korean cinema than Parasite."

Critical response

[edit]

In a review for The Guardian, Leslie Felperin noted the film "feels aimed more at a domestic audience" and rated it 3/5. She wrote: "There’s a long wait until something really meaty happens, in every sense, but the climactic killing in a restaurant, complete with spluttering arteries and swooping camerawork, is just about worth the wait."[18]

In a review for The Hollywood Reporter, John DeFore wrote: "Though touching on a le Carre-like web of loyalties, ambition and hidden agendas, the film (an adaptation of Kim Choong-Seek’s book KCIA Chiefs) is generally less engrossing than that might suggest, only coming to life in the sweaty hours leading up to that murder."[19]

Explanatory notes

[edit]

This is a cross mediated artwork. From novel to film, The Man Standing Next (2020) is a political thriller adapted from Kim Choong-sik’s 2012 investigative non-fiction book The Man Standing Next. Both works focus on the late Park Chung-hee regime and the role of the Korean Central Intelligence Agency (KCIA). However, they differ significantly in core themes, technical medium, and narrative style.

The Book

[edit]

The original book, written by Kim Choong-sik, a longtime journalist at the Dong-A Ilbo, is an investigative non-fiction work. It details the history of the KCIA and the activities of its directors from 1961 to 1979. Based on Kim’s own extensive reporting, the book explores power struggles within the Park Chung-hee regime and corruption involving political interference by intelligence agencies. It is fact-centered, relying on documents and records, with a focus on analyzing political structures. The 2012 revised edition bears the subtitle “Loyalty to the Pro-Park Faction vs. Dissecting Bloody Past: A Political Power Elite Directory,” sharply highlighting the book’s critical perspective and internal factional conflicts within power structures.

The Film

[edit]

The 2020 film The Man Standing Next, directed by Woo Min-ho, is a fictionalized retelling based on the book and real events. It does not depict real persons by their actual names but uses altered names and some changed settings: the 5th KCIA director Kim Jae-gyu is represented as Kim Gyu-pyeong, the 4th director Kim Hyung-wook as Park Yong-gak, Chief of the Presidential Security Service Cha Ji-chul as Kwak Sang-chun, and President Park Chung-hee as ‘Park Tong.’ The film focuses on Kim Gyu-pyeong’s psychological changes and internal conflicts, centering the narrative on the process leading to the assassination of President Park. In the film, Kim Gyu-pyeong first assassinates Park Yong-gak to eliminate a rival and shows absolute loyalty to President Park but is eventually betrayed, which drives him to assassinate Park himself. This differs from the book, which suggests Kim Jae-gyu’s motive was ending dictatorship. The film emphasizes the conflict between Kim Jae-gyu and Cha Ji-chul theory and compresses the timeline into a tense 40-day period, leaving out much of the book’s content for dramatic effect.

Analysis element

[edit]

The original book (first published in 1990, revised in 2012) focuses on a factual and chronological account of the KCIA and its directors during Park Chung-hee’s regime. Journalist Kim Choong-sik uses extensive interviews and research to analyze political conflicts, organizational structures, and historical events with an objective investigative tone. In contrast, the 2020 film concentrates on the 40 days leading up to Park Chung-hee’s assassination, focusing on political tension and psychological conflicts among characters. It constructs the narrative through dramatic plot development and character interiority, emotionally reenacting events and reframing historical facts through personal decisions and psychological shifts. Thus, while the book covers broad political facts and power structures, the film emphasizes a narrow, intense timeframe to heighten suspense. Both share the same historical backdrop but differ in textual approach, reconstructing events to fit their respective media.

The Man Standing Next book, first published in 1990, addresses the important political turning point of the October 26 assassination and the internal power struggles behind it. The 2012 revision gained renewed attention amid rising political controversies involving the pro-Park faction during Park Geun-hye’s administration, reflecting ongoing tensions and continuities in Korean political power. The book is regarded as a critical historical resource offering insight into Korea’s complex factionalism and power dynamics. The film, produced in the early 2020s, was released amid growing societal interest in democratic maturity and historical truth-seeking in Korea. It also fits within a cultural trend of Korean cinema exploring political and social themes through commercially appealing thriller genres. The film re-examines Cold War-era Korean power structures and human psychological contradictions, aiming to engage audiences emotionally with the historical narrative. Thus, both book and film were produced in distinct social and historical contexts, covering the same event but differing in intent, societal context, and audience reception. These contextual differences allow the two works to play varied roles in historical interpretation and popular understanding

The original 2012 book and the 2020 film each employ different paratextual strategies suited to their media. The book cover features a silhouette of a figure holding a pistol, with the subtitle “Loyalty to the Pro-Park Faction vs. Dissecting Bloody Past: A Political Power Elite Directory.” This highlights the book’s aim as a critical investigative report uncovering the Park regime’s internal power struggles and the KCIA’s reality. The preface foregrounds the question, “What does Park Chung-hee mean in the era of smart media and SNS?” urging readers to engage in political judgment and interpretation. The film’s official poster uses dark tones and cold expressions on characters’ faces to visually convey political tension and psychological conflict. Marketing slogans such as “Shaken loyalty, the sound of that day’s gunshot” and “The 1979 presidential assassination” emphasize the film’s thriller genre focus on betrayal and human psychology. In conclusion, although both works depict the same historical event—the October 26, 1979 assassination—the book employs a political-historical structural analysis, while the film highlights psychological drama and dramatic tension through paratextual framing, offering distinct interpretive directions to readers and viewers.

Awards and nominations

[edit]
Year Award Category Recipient Result Ref.
2020 25th Chunsa Film Art Awards Best Director Woo Min-ho Nominated [20][21]
Best Actor Lee Byung-hun Won
Best Supporting Actor Lee Sung-min Won
Lee Hee-joon Nominated
Best Supporting Actress Kim So-jin Nominated
56th Baeksang Arts Awards Best Film The Man Standing Next Nominated [22][23]
Best Director Woo Min-ho Nominated
Best Actor Lee Byung-hun Won
Best Screenplay Woo Min-ho & Lee Ji-min Nominated
Technical Award Kim Seo-hee (Makeup and Hair) Won
29th Buil Film Awards Best Film The Man Standing Next Nominated
Best Director Woo Min-ho Nominated
Best Actor Lee Byung-hun Won
Best Supporting Actor Lee Hee-joon Won
Best Supporting Actress Kim So-jin Nominated
Best Screenplay Woo Min-ho & Lee Ji-min Nominated
Best Cinematography Go Rak-sun Nominated
Best Music Jo Yeong-wook Nominated
Best Art Direction Cho Hwa-sung, Park Gyu-bin Nominated
40th Korean Association of Film Critics Awards Best Film The Man Standing Next Won
Top 10 Films Won
Best Actor Lee Byung-hun Won
14th Asian Film Awards Best Actor Won
7th Korean Film Producers Association Awards Best Director Woo Min-ho Won
Best Art Direction Cho Hwa-sung, Park Gyu-bin Won
Cine 21 Awards Best Screenplay Woo Min-ho & Lee Ji-min Won [24]
2021 41st Blue Dragon Film Awards Best Film The Man Standing Next Won [25]
Best Director Woo Min-ho Nominated [26]
Best Leading Actor Lee Byung-hun Nominated
Best Supporting Actor Lee Sung-min Nominated
Lee Hee-joon Nominated
Best Screenplay Woo Min-ho & Lee Ji-min Nominated
Best Cinematography and Lighting Go Rak-sun: Cinematography; Lee Seung-bin: Lighting Nominated
Best Editing Jeong Ji-eun Nominated
Best Art Direction Cho Hwa-sung, Park Gyu-bin Nominated
Best Music Jo Yeong-wook Nominated
Technical Award Kwak Tae-yong, Hwang Hyo-kyun (Makeup) Nominated

See also

[edit]

References

[edit]
  1. ^ "'The Man Standing Next' dramatizes assassination of ex-president". The Korea Times. 17 January 2020. Retrieved 29 December 2023.
  2. ^ "The Man Standing Next (2020)". Korean Film Biz Zone. Retrieved 8 February 2020.
  3. ^ "The Man Standing Next". The Film Catalogue. Archived from the original on 29 January 2020. Retrieved 29 January 2020.
  4. ^ Kil, Sonia (28 January 2020). "Korea Box Office: 'Man Standing Next' Dominates Holiday Weekend With $25 Million Haul". Variety. Retrieved 29 January 2020.
  5. ^ Yoon, Min-sik (12 December 2019). "'The Man Standing Next' a film about final weeks leading to dictator's death". The Korea Herald. Retrieved 30 September 2020.
  6. ^ Kil, Sonia (5 December 2019). "Lee Byung-hun's 'Man Standing Next' Secures 2020 Asia Theatrical Releases (EXCLUSIVE)". Variety. Retrieved 30 September 2020.
  7. ^ 김영대 (6 January 2020). "[마이더스] [영화] 남산의 부장들 외" [[Miders] [Movie] Managers of Namsan and others]. 연합뉴스.
  8. ^ "The Man Standing Next". AMCTheaters.com. 23 January 2020. Retrieved 8 February 2020.
  9. ^ Noh, Jean (21 October 2020). "South Korea submits 'The Man Standing Next' for 2021 Oscars". ScreenDaily. Retrieved 21 October 2020.
  10. ^ "KOFIC selects 'The Man Standing Next' for 2021 Oscar submission". 22 October 2020.
  11. ^ "93RD OSCARS® SHORTLISTS IN NINE AWARD CATEGORIES ANNOUNCED". Oscars.org | Academy of Motion Picture Arts and Sciences. 9 February 2021. Retrieved 10 February 2021.
  12. ^ Brzeski, Patrick (22 October 2020). "Oscars: South Korea Selects 'The Man Standing Next' for International Feature Category". The Hollywood Reporter. Retrieved 14 July 2024.
  13. ^ a b c d "Woo Min-ho on recreating Korean history for Oscar entry 'The Man Standing Next'". Screen Daily. 22 January 2021. Retrieved 28 December 2023.
  14. ^ Yoon, Min-sik (12 December 2019). "'The Man Standing Next' a film about final weeks leading to dictator's death". Korean Herald. Retrieved 8 February 2020.
  15. ^ "The Man Standing Next - Cast (Korean Movie, 2019, 남산의 부장들)". HanCinema. Retrieved 28 December 2023.
  16. ^ "映画『Kcia 南山の部長たち』公式サイト｜2021年1月22日公開".
  17. ^ "The Man Standing Next". Rotten Tomatoes. Fandango. Retrieved 30 January 2025.
  18. ^ Felperin, Leslie (23 June 2021). "The Man Standing Next review – a thrilling scramble for political power in 70s South Korea". The Guardian. ISSN 0261-3077. Retrieved 26 May 2024.
  19. ^ DeFore, John (26 May 2020). "'The Man Standing Next' ('Namsanui bujangdeul'): Film Review". The Hollywood Reporter. Retrieved 14 July 2024.
  20. ^ Park, Ah-reum (9 March 2020). "'엑시트' 개최 연기 춘사영화제 6개 부문 최다 노미네이트" [Held 'Exit' Acting Chunsa Film Festival's 6 Nominations]. Newsen (in Korean). Archived from the original on 11 May 2020. Retrieved 11 May 2020 – via Naver.
  21. ^ Park, Ah-reum (19 June 2020). "'춘사영화제' 이영애X이병헌X'봉오동 전투' 최고 영예 감격(종합)". Newsen (in Korean). Retrieved 19 June 2020.
  22. ^ MacDonald, Joan (8 May 2020). "Baeksang Arts Awards Announces Nominees And Plans To Proceed Without An Audience". Forbes. Archived from the original on 10 May 2020. Retrieved 8 May 2020.
  23. ^ MacDonald, Joan (5 June 2020). "2020 Baeksang Arts Awards Honor The Best Korean Dramas And Films". Forbes. Archived from the original on 5 June 2020. Retrieved 6 June 2020.
  24. ^ "[스페셜] '씨네21'이 선정한 올해의 영화인②". Cine 21 (in Korean). 31 December 2020.
  25. ^ Kim Yu-jin (9 February 2021). "유아인·라미란, 영광의 남녀주연상…'남산의 부장들' 최우수작품상 [청룡영화상 종합]" [Yoo-in, Rami-ran, Glory of Male and Female Leading Actor... 'The Directors of Namsan' Best Work Award [Blue Dragon Film Awards General]]. X-Sports News (in Korean). Naver. Retrieved 10 February 2021.
  26. ^ Lee Seung-mi (11 November 2020). "[공식]제41회 청룡영화상 후보 발표…'남산의부장들' 10개 부문 최다 노미" [[Official] Nominations for the 41st Blue Dragon Film Awards Announced… Most Nomi in 10 categories of'Namsan Medical Directors']. Sports Chosun (in Korean). Chosun.
[edit]
Retrieved from "https://en.wikipedia.org/w/index.php?title=The_Man_Standing_Next&oldid=1294579432"